The #nomakeupselfie trend is in the news – here’s coverage by the Independent and here’s The Guardian, for a little background. I donated £10 to Breast Cancer Care yesterday, and since it’s been troubling me, I decided to try to examine my own thought process. Continue reading “The #nomakeupselfie: femininity, altruism and community”
From the outset, the PuppetCraft cast encouraged a non-frontal and participatory style of theatre, asking children to sit on the floor close to the scenery.
Review originally published on DigYorkshire in October 2013. As seen at Harrogate Theatre as part of All Points North 2013.
Sarah Wallis’ The Rain King presents depths of meaning; intensity of character; complicit and knowing humour keeping us on side; profound reserves of talent both in writing and acting; a real pleasure, and a hidden gem. Continue reading “The Rain King:theatre review”
Titus Andronicus was an absolute joy for anyone who likes their Shakespeare shaken up, electro-shocked à la Frankenstein – something rather beautiful and terrible jolted into vivid life, created painstakingly carefully out of pieces that centuries of critics and theatre directors have left for dead.
Neil Simone’s art is both extremely complex, and extremely accessible. Not only are his natural landscapes light, aesthetically pleasing and clear, but each one is imbued with meaning.
The ensemble cast of three open and close The Boy Who Cried Wolf with the ‘clickety click’ of their knitting needles, and the story gradually weaves itself into being, framed by these little poetic and visual moments. Continue reading “The Boy Who Cried Wolf: theatre review”
“There’s one thing you must tell him – let him explore.” Josephine Peach’s advice to me for my 7 year old son, about to start his first piano lessons. Continue reading “Review of Ripon Cathedral’s lunchtime concerts: Josephine Peach”